(S)hits

Showing posts with label leak. Show all posts
Showing posts with label leak. Show all posts

Wednesday, 8 September 2010

where's my sex!?

Folks, it's time we accepted the fact that there will never be another Pinkerton. I realize a lot of you accepted this a while ago, but I think that, even if Cuomo consciously decided to emulate Pinkerton, it would just sound like a 40 year-old trying to make another confessional, you know? With that kept in mind, Hurley is pretty not-that-bad. Maybe, perhaps, good? Now, I'm aware that Rivers Cuomo could be riding in his solid-gold jetpack right now laughing as he chews on his solid-gold cigar thinking "Those plebeians actually like that shit!" I mean, this is the man who referred to his fans as "little bitches" back in 2002(ish). In his defense though, it would be pretty annoying if your fans kept on requesting you to go back to your old sounds instead of treading new grounds. Then again, "old sounds" kind of meant "actually good." *pause for laughter and cheering* But I digress. Hurley goes back to the power-pop sound of 1994's Blue Album but pumps up the "power." Track one, 'Memories,' starts with a cheesy intro, but then it's followed by a wall of sound. By the time you're questioning whether this is an Arcade Fire-good "wall of sound" or Nickelback-shit "wall of sound," the catchy synth kicks in and it doesn't really matter. So far this is definitely better than a rap-rendition of 'Can't Stop Partying' (I'm still sore over that.) The rest of the album is kind of samey, but it's an okay kind of samey. One of the more memorable moments in Hurley is the song 'Where's My Sex?,' a title that I find genuinely funny. That kind of ridiculousness is classic Weezer, in my opinion. I find that Weezer is trying a little too hard to be edgy though, proven by the fact that this is the first album to be released on an indie label (Epitaph.) Overall, Hurley is an enjoyable (if cheesy) throwback to power-pop, and a positive look into the future. I wouldn't find myself relistening to it on a roughly tri-yearly basis as I do with 2008's Red Album, but it's a step up from my "never-relistening to" basis of Raditude. Just ignore the bonus tracks, unless you want to hear a cover of a Coldplay song (that's great and all, but why bother covering something from 2008?)

In related news, Weezer has announced that Pinkerton is going to be reissued on November 4, along with a collection of out-takes from Blue to Raditude that have, to my knowledge, been rerecorded (it's entitled- I shit you not -Death to False Metal). In a Rolling Stone interview, Rivers Cuomo also stated that he started working on the next Weezer album "this morning," which I assume was sometime in late August.

Oh, and there's a Blue/Pinkerton tour in the works. Just a heads-up.

Wednesday, 28 July 2010

its a great year to be a hipster

Add ImageI'm a little late to the party, aren't I? Interpol's new album (self-titled) recently leaked while I was on a 20-hour road trip to Missouri. This marks the fourth 2010 leak I've presented to you, the loving readers (Realism and Congratulations and Simple Science EP being the other three). The album itself is great compared to their 2007 album Our Love to Admire. It wasn't bad, per se, but it was significantly lacking compared to its parent albums. On its own, Interpol 2010 sounds like a mix of Turn on the Bright Lights ambiance and Antic's punk sound. To be honest, it's not as good as the first two, but you can't really top perfection, can you? This marks the last album made before the bassist, Carlos Dengler, left the band (going on to other, shall I say, antics?), so it'll be interesting if Interpol can find a new bassist that's just as good as him. This is recommended listening all the way, but it might not be the best place to start with Interpol if you aren't familiar with them. Oh, and they drop the f-bomb in Try it On. That's always a bonus with the children, right?

Next up for 2010: Jimmy Eat World, Brandon Flowers, and Radiohead. I'm really stoked for the new Jimmy Eat World album. Deal with it, bitch.

Friday, 19 March 2010

SWEET'N'SOUR JESUS FUCK


Holy spicy fuck-whistles. This bad-boy leaked a few hours ago, and it's giving me a metaphorical boner. You want to know what it's like? It's like dropping acid in a McDonald's ball pit full of sex. It's really good.


MGMT is, at face value, a radio-friendly single maker. Or should have been a radio-friendly single maker. MGMT never really wanted to get popular, they just happened to release three singles that got a fuckton of airtime. Andrew VanWyngarden stated that Congratulations won't have any "Time to Pretends" or "Electric Feels". This proves to be bittersweet, seeing how Time to Pretend fucking rocked. But the inconsistencies of OS were all too noticeable. The mature songs like Weekend Wars and The Youth were scattered between the big three singles: The aforementioned Electric Feel and Time to Pretend as well as Kids. Congratulations fixes these problems though. You certainly won't find anything that would make it big on the radio. Every track shows the experimental/psychedelic tone MGMT was aiming for. This album feels like you're in one of those spinning rides at Disney World. You're jerked from side to side as each song splits into three, only to be neatly wrapped up by the end.
UPDATE: /mu/ has spoken, they fucking loathe it. 2deep4them